Tag: personal (page 1 of 4)

On Kicking My Own Ass, or Where the Hell I’ve Been

This blog has been pretty quiet for a while now, except for the sound of crickets. Little crickets. Little crickets that occasionally cricketed in my direction before sighing and going back to sleep. The quiet was a change for me. For most of the life of this site, I posted fiction or nonfiction at least once a week. I knew my blogging would slow as work on my collection progressed, but I didn’t anticipate the absolute halt. In hindsight, I probably should have. But then, I didn’t realize quite how hard I’d be kicking my own ass.

The ass kicking has taken a lot of different forms, most of them positive but, as in the way of all ass-kickings,  very often challenging. One of the biggest was the collection of linked short stories that I’ve been working on for the better part of a year, and which is finally going to release with Go Deeper Press Tuesday (!!!)

Roadhouse Blues started off as one thing and ended up being something else entirely. I’d been wanting to do a longer project for a while—nothing too serious or, you know, likely to kick my ass, but good and interesting all the same. Something that would explore a fluid variety of sexual experiences. Something I could be proud of and really happy to have done. So, that’s how the project started – as a fun creative challenge. Hooray! Terrific! All according to plan so far.

Then I started digging in, and the stories got more personal—never autobiographical, but definitely drawing from the complicated, sometimes murky, well of my own emotional landscape. That’s when my blogging started to slow down.

At first, I went from posting every week to every couple of weeks, because the collection was time consuming and so is my real life work. Then posts started coming even more sporadically because, hey, this workload is kicking my ass but what the hell, let’s see where it goes.

By the time Eroticon London rolled around in March, I hadn’t posted in ages. Since then, the only thing that’s gone up on my blog has been the notes from the talk I gave there, (which was an awesome experience, btw).

By then, I had to admit something to myself. It wasn’t the workload that was kicking my ass. It was the emotional digging I was doing. I don’t want to make it sound like the collection is full of awfulness and pain. My goal was always to give people a good read, not a horrible slog through horrible things, and, while there are some trigger warnings in there, I’ve stuck as close to that goal as I possibly could. It was more that everything I’d been putting in my posts was going into the stories, and my focus had to narrow to make it work.

The other piece to this, the much larger, harder-to-talk-about piece, is the fact that I’ve been going through a pretty difficult time personally. The writing of these stories has been directly linked to my own process of healing and recovery, so the more I dug into my history, the more immediate the stories became. It was a powerful experience, both as a writer and as a person. Unfortunately, the side effect was that I developed a deep and abiding need to get very, very quiet in almost every other way. Thankfully, I have very supportive, loving people in my life who understood this deep and abiding need, something I’m grateful for to no end.

I don’t feel comfortable making big, fat declarations of emotional commitment to my work—my commitment should be clear in my writing, and, if it’s not, I’ve done a shit job. In this case though, I’ll admit to the fact that this collection required more from me than I initially expected. The ass-kicking I gave myself while working on Roadhouse Blues was much harder than I could have imagined, and all the more valuable for it.

I have no idea how Roadhouse Blues will go over when it releases Tuesday. I have no idea if people will enjoy it, or hate it, or just not even care, and I’m weirdly okay with that. I can’t control how people read it, or if they like it, or hate it, but as much as I want to this book to succeed, I’m also very aware of how important it’s going to be to let it go.

I did what I set out to do. I wrote something that I’m proud of. I wrote a collection of twelve linked short stories that explore sexual fluidity and subversiveness in a seemingly traditional place. I brought everything I had to it and I didn’t leave anything out, even though I was tempted, once or twice, to take a less ass-kicking road. I’m glad I didn’t though. In the end, regardless of how Roadhouse Blues is received, for me, the ass-kicking was worth it.

Go Deeper Press has been awesome and released some excerpt from the collection ahead of time, along with the book’s introduction. If you want to check them out, you can click the links below. Rachel Kramer Bussel was also kind enough to post an excerpt on the Lady Smut Blog, so I’ll include that link too. Thanks! 

from the title story, “Roadhouse Blues”

from (my favorite story), “Marlboro Man”

from “Flash, Pop!”, the story that inspired the collection

Lana Fox’s (super brilliant) Introduction

On Mining Yourself

Black and white pen and ink drawing of a young woman old woman optical illusion for Mining Yourself post by Malin James

Young Woman, Old Woman Optical Illusion by W.E. Hill (1915)

I’ve always loved this image. Is it a picture of a young woman or a crone? Even when I was little, I saw them fluctuate, like a portrait under water, equally young and old. It’s a powerful visual metaphor, one my brain seized on well before I could understand why.

I’ve always split my writing time between fiction and essays. Recently, though, the balance has tipped and I’m  leaning into fiction as I focus on a collection I care a great deal about. That said, project-love isn’t the only reason for the shift in focus.

While there is, inescapably, a lot of me in those stories, there’s a distance in the writing that I need right now. Fiction is, and always will be, fiction, no matter how much of the writer informs the narrative.

The nonfiction I tend to write, especially for this blog, doesn’t have that natural buffer. Everything I write here takes on an inherently personal bent, whether I’m ranting about sexual history calculators or exploring different aspects of non-monogamy. Even when I don’t draw directly from my own experiences, my opinions and history inform those posts to a massive degree. While I usually lean into that level of transparency, my boundaries are higher right now, which makes that transparency hard.

I’m going through an odd time. Things that are fundamental to who I am as a person are shifting and changing, like the young woman and the crone. I grew up affected by a trauma I couldn’t process, and the effects of that trauma unknowingly molded my childhood, my relationships and even my sense of self. Over the course of the past 10 months, I’ve begun to unpack the issues I’ve avoided for 35 years. As a result, my internal landscape is shifting, sometimes quite suddenly. It’s terrifically destabilizing – on some days. On other days it feels great. But the swing between the two is both constant and erratic, so I’m extremely hesitant to write about it. Yet.

In order for me to write well, I need distance and perspective. Venting feels good (oh, so very good), but if I don’t broaden my understanding I run the risk of ranting aimlessly or navel-gazing or, even worse, both. No one likes a ranty navel-gazer so I try not to mine myself until I’ve gained some insight. That’s why I didn’t write about this or this for more than a decade, even though I did (and still do) have plenty to say.

That’s the key, for me, to writing personal essays. While nonfiction takes a thousand different forms, my natural approach is to mine myself for material and (hopefully) create something that connects with a reader in some kind of meaningful way. This often means that the most immediate, difficult or overwhelming situations (the ones I tend to want to vent about) are best left alone until I understand the lay of the land.

At the moment, my emotional landscape is the sort of primordial jungle that guys in pith helmets get lost in. Except for scrawling in my journal, writing about any of it would, in the end, make me feel worse. The young woman and the crone might use the same hand, but they write from different perspectives. Anything I say now will very likely shift given time and emotional clarity. Writing is a way to pin my thoughts down. That’s a hard thing to do when they will very likely change.

Eventually, I’ll put enough distance between myself and this mine of material but, for now, there’s little I could say that would be of use to anyone but myself. I admire writers who produce beautiful, cogent essays in the middle of great stress. It’s a magnificent talent, one I quite notably lack. My strengths lie in hindsight, and hindsight takes time, so I’m leaning on fiction and quiet…at least, I am for now.

Technicolor Sex

Marilyn Monroe in a read dress against a green floral background for Technicolor Sex by Malin James

Marilyn Monroe, circa 1952. Image courtesy Getty Images.

You know how sometimes, every now and then, sex can light you up? It’s the kind of sex that squeezes your heart and gobbles it whole. Sublime, intense, shattering sex that leaves you wrecked and soaked and scratched and bruised and so happy you could cry?

Yeah. I love sex like that.

I used to associate catastrophically good, mind-altering sex with kink because, when I was younger, the only time I experienced it was in kinky situations. The impact it made on me drove me to experiment with all sorts of sexual deviance, which was great and profound in its own way, but it also kept me from understanding my natural sexual wiring until much later.

Recently, I’ve come around to realizing that, while I am definitely a kinky person, kink isn’t actually what drives my sexuality. Intensity does, and kink is one possible way for me to get a hit of that drug.

Note: When I say “kink”, I’m referring to all of the kinks I enjoy, plus the million other kinks that fall under the term’s umbrella. Unless I specify a particular kink by name, just figure I mean it as a placeholder for anything that falls outside the sexual mainstream, whatever that is….

Some people have a central kink around which other kinks play out, like the sub who loves spanking but isn’t into service. I don’t have a central, identifying kink. I have a spectrum of equally weighted, kinky options. That’s because, for me, the turn-on isn’t the kink itself, but the intensity that comes from engaging it.

I’ve written before about how I don’t identify as a Domme because it comes with a set of expectations that don’t consistently apply. While I enjoy playing that role, I slide in and out of sexual dominance depending on what I’m doing and who I’m with. For me, sexual dominance is an impulse—awesome when it’s instinctive with a partner, but not necessarily something I pursue for its own sake.

Unlike someone whose sexual identity is fairly set, my sexuality is fundamentally intuitive. I’m kind of like a tuning fork—I ring at different frequencies with different lovers because different people tap different aspects of my sexuality. This isn’t to say that I don’t have my own preferences and boundaries. It’s no secret that submission isn’t my thing. Masochism, however, is. I like pain – both dishing it out and taking it – but only if it’s part of my natural dynamic with a partner.

And that’s really the thing for me—my dynamic with my partner. It doesn’t matter if it’s a one-time thing or a long-term relationship, more than anything, I respond to connection – that humming recognition that you both want to fuck. While I really enjoy a lot of different kinks, the intensity I crave has more to do with a feedback loop than with the kink itself, and what creates that delicious feedback loop changes from partner to partner and moment to moment.

So, when I say that my sexuality is intuitive rather than definitive, I really mean that my sexual response cues off a feedback loop. Kink can, and often does, form the basis of that connection, but sometimes it just happens out of the blue. It’s a lot like dancing – you move with each other’s impulses and improvise, so dancing with one partner is nothing like dancing with someone else. I’m hyperaware of my partners’ impulses, and that awareness shapes my response. It creates a sort of bespoke sexual experience, but what fits one partner in one moment, won’t necessarily fit another.

That’s why, while I love rough sex, I’m only going to want it with certain people because it’s not about rough sex, per se. It’s about rough sex with someone I want to have rough sex with. So, as much as I enjoy restraint and watching and being watched and group sex and fucking in places you shouldn’t be fucking, I love vanilla too. For me, it’s not about what we’re doing; it’s about how it feels while we’re doing it.

If I get that intensity through missionary with unbroken eye contact, fine. If I get it through edge play, voyeurism, or trusting a partner enough to push my own boundaries, fine. In the end, it’s all just a gateway to the kind of intensity that makes for the kind of sex that dismantles your brain and turns you into a cock or a cunt and the basic need to fuck.

That isn’t to say that I can’t enjoy kink or have amazing sex without that brain-dismantling intensity because I can and have and will. In the end, I love sex—kinky sex, or sex that’s as vanilla as it gets. The kind of sex that I’m talking about here is just one variation in a million. I just happen to love it because it’s as context dependent as I am.

For me, at its best, sex is a function of impulses and variables and kink is just one of those variables. While I genuinely enjoy kinky, filthy filth, the intensity I want is a product of dynamic and connection, informed by, but not dependent on kink. It’s just as likely to happen with eye contact as it is with anything else.

I like it when sex is the unpredictable product of impulse and instinct. I like it when sex surprises me. Within the boundary of certain hard limits, my sexuality is fluid enough that it doesn’t hold a definitive shape, which means that sex is always something of an adventure. Even if I’ve been with someone for years, something – an emotional quirk, a request, whatever – can hit me in a way I didn’t expect. That sudden change in frequency is the shot of sexual adrenaline that starts the rest of the feedback loop.

It’s like alchemy and it’s different with everyone. It doesn’t happen all the time, but when it does, it reminds me what having a body is all about. That’s when you get sex that’s shattering and cathartic; sex that’s so intense and so fucking good you have to check for a heartbeat after. That’s sex in blazing Technicolor. Kink or no kink, I love Technicolor sex.

The Body Politic

Black and white image of a woman wearing a black corset for Luck and the Body Politic post by Malin James

Photograph by Jeanloup Sieff

It’s been a rough week…a rough month, to be honest. I don’t normally share this sort of thing, but it ties into something important, so I’m going to.

My body is strong – a bit busted up, but strong and faithful and generally trustworthy. That’s why I was taken by surprise when I got a “concerning” (ie: abnormally abnormal) result on a cervical biopsy last month.

I took it for granted that the biopsy would come back clear. I had no basis for that assumption – there’s a history of cervical cancer in my family, so abnormal results shouldn’t have surprised me, but there you go. Nothing blinds like optimism.

Unfortunately, I was also in the tiny minority of women who get a cervical infection after a biopsy (not fun, in case you were wondering), which is why they waited  a month to do the procedure that eradicates suspicious cells – the very same cells that took advantage of the delay to grow like the ambitious little bastards they were. As a result, this fairly simple procedure ended up being a lot more involved (and painful) than it usually is, which is why I’ve spent the week laid up. Lots of time to think.

Aside from really wishing I’d had (even) more drugs during the procedure because wow, A LOT  just wasn’t enough, I’m trying to take it in stride. It’s a common procedure and they caught the cells before they had a chance to become a problem. So, why am I feeling so fragile and emotional? You’d think my head fell off….

It’s to do with a few things I suspect. The first is that a woman’s cervix is freaking sensitive and having it messed with, even by a doctor for the very best of reasons, is unsettling. I’ve also experienced sexual trauma so I’m extra protective of that area, which made it upsetting in that way too. And then there’s the last thing, which is what I want to focus on – the feeling of having dodged a bullet through sheer, dumb, circumstantial luck.

This isn’t about mortality – that’s a whole other thing. It’s about **resources and who gets access to them. I had a relatively straightforward procedure that, even with complications, worked out to my benefit – no cervical cancer for me, thanks! The price I had to pay was worth it, and I would gladly pay it again. But some people aren’t so lucky. Some people don’t have a choice.

The procedure I had is routinely available in 2016. So is the Pap smear that led to the biopsy that led to me sitting in stirrups while a surgeon did surgical things to me. And because I have medical insurance, I was given the choice of having those things done. A lot of women would happily make the same choices, but without access to comprehensive medical care, they can’t. And that’s a horrible thought.

I’m thinking about all of the women who try (and have tried) to end pregnancies in ways that are as dangerous to them as they are to the fetus. I’m thinking about breast cancers that metastasize and the daughters who lose mothers because something is wrong but no one knows what  – not until it’s too late. I’m thinking about all of the people who die from preventable diseases because services aren’t available when they’re needed.

I am not equating what my cervical experience with an abortion. Not even close. What I am doing is pointing out that, while reproductive health is something that we advocate for, fund and defend, there are a lot of people who don’t enjoy the benefit of those resources because they can’t afford them. That makes it frustrating and all the more tragic in a different way when people who do have access don’t use them.

Everyone is physically vulnerable. Our mortality guarantees that. But if you have access to resources and education, use them—get STI screenings, get Pap smears, do breast exams. They are crazy-amazing interventions. While nothing in medicine will prevent you from eventually kicking off, access to care buys you choices, and that’s something I wish everyone had more of. Unfortunately, in practical terms (at least, in the U.S.) health coverage is still not universal, despite the political progress made in this area, and that’s nothing compared to the lack of basic medical care in Third World and developing nations.

Our bodies, whether we like it or not, are political objects, and medicine is a political issue. I’m not saying you have to rally for universal health coverage, abortion rights or fundraise for breast cancer awareness. All I’m saying is that a great deal of the world’s population does not have access to good medicine. In fact, for the bulk of human history, no one did.

So, if you do have access to health care, don’t take it for granted and definitely don’t  waste it. Use the educational and medical resources available to you. It’s one very basic way to advocate for more. And when you vote on issues pertaining to medical assistance, try to let empathy guide you as much, or more than, economics or political allegiance. There are so many resources regarding reproductive health, from birth control to cures for abnormal cell growth. It breaks my heart that, whether due to insufficient sexual education or insufficient funding, so many people have to do without.

That’s why I feel lucky (and ridiculously emotional) – I got to have a procedure that hurt like hell, thoroughly rattled my cage and may have saved my life somewhere down the line, and I got it because I have a lovely little card that means I’m part of an HMO with a co-pay I can afford. That’s an incredibly privileged position to be in, especially in a world where people still die from curable diseases. Given all that, I don’t mind being reminded how lucky I am.

** While this post is generally about women and reproductive health, the same applies to all areas of medical concern, from vaccinations to urology (fun! sorry…not fun…). If you have access to health care, use it, even if the resource you need makes your five-year-old cry. Even if it makes you cry. It’s better than not having the choice. 

4 a.m.

4 a.m.

4 a.m. (Photograph by Malin James)

I have a pretty serious relationship with 4 a.m.

It was 4 a.m. when I realized that God didn’t exist and that my parents were just people. It was too much, too fast for a six-year-old. I felt like an island, floating in the sky.

I was 4 a.m. when I woke up in my dorm room sure that something was wrong. My mom called a few hours later – my dad was sick. I had to come home.

It was 4am when I realized that the only way I could get out of a toxic relationship was to leave the city I loved.

It was 4am when I decided to come back, get out of acting, go to grad school. Maybe try to write for real.

My daughter woke up at 4 a.m. every night and it was 4am when I cried because she was smiling, and I was sick from needing sleep.

It’s 4am when I run to steady my pulse.

It’s 4am when I write nonsense like this.

It’s 4am when the quiet falls like rain, and I imagine slipping through the drops.

This is about as un-sinful as a Sinful Sunday can get. While it was taken from above and not below (as per August’s prompt), for me, my face mid-insomnia is pretty damn revealing so I went with it anyway. If you’d like to see some fantastically sexy Sinful Sunday’s, click the pretty lips.

Sinful Sunday

On Validation

Black and white photograph of a woman's back as she looks out of a window, for Validation post by Malin James

Photograph, Malin James

There are things that I’m painfully aware of. One of them is my deep, long-standing need for validation.

It’s gotten worse in the past few years. I’ve always had it but, recently, it’s kept me from taking risks. The need for validation has drawn me away from projects that would further my career because long-term gains haven’t been able to compete with that short-term need.

That impulse has kept me safe in the cocoon of a loving community, which is a comforting alternative after years in the less friendly world of literary fiction, but at something of a cost.

It’s a strange thing. On one level, I give zero fucks what anyone thinks. This is the level I try to live on. But beneath that is the fact that sometimes I give way too many fucks, which is why I can’t say that I don’t need validation for my work. The brutal truth is that I do and the same goes for my worth in relationships.

I grew up having internalized the idea that my primary value was in my face and, even more toxically, that the value of my face was arbitrary because I relied on a choreographer, director or photographer to decide whether or not I was right for a call or a role. It’s a conviction that dogs me even now, and the result is an over-reliance on what other people think.

That need for validation shows up in all kinds of subconscious ways. It’s in how I engage social media and how I blog. It’s in what I write about and when. It’s in whether or not I compromise myself in relationships and for how long. It’s what drives my inner sadist – the one who loves to rake my inner masochist over coals.

The need for validation is natural. We all feel it. But the degree to which I’ve allowed that need to dictate my professional, creative and personal choices disturbs me. The primary reason I stopped acting was because my dependence on external (and arbitrary) validation wore me down. Unfortunately, I’ve created a similar framework for myself by reinforcing a comparable need in my writing and relationships.

I’m ok with wanting a certain amount of validation. Like I said, it’s pretty natural. But I’m not ok with needing it to the point where it compromises my emotional autonomy. Validation is, essentially, a salve – an illusory guarantee that everything is ok. In my case, this is what validation usually looks like:

Yes, your writing matters.

No, you aren’t wasting your time.

Yes, he still wants you.

No, you aren’t a disposable fraud. (This one comes with a nice dose of self-loathing. Self-loathing fucking sucks).

The real problem isn’t wanting validation, it’s misunderstanding what validation does. It’s like ointment on a cut – it’ll soothe the surface, but it doesn’t address the bleeding you can’t see. For me, the internal bleeding is the fact that sometimes I give too many fucks, and that those fucks aren’t even the right fucks to begin with.

What makes validation so addictive is that it acts as a short-term guarantee that everything’s ok. And sure, everything might be okay – for now. But what about the next now? And the next? Pretty soon, validation stops being a relief and becomes part of a feedback loop, one that slowly blows everything out of proportion and gets you stuck on a hook, one where your insecurities take over and drive your behavior.

So, when you put all that together, my need for validation is the subjective measure of worries that are way more existential than concrete:

Is everything okay?

Am I okay in the world? (Or this job, or relationship, etc.)

What the hell does okay even look like? I don’t know but please make it okay….

Those worries aren’t something that should shape your work or relationships because the only thing that can comfort them are guarantees, and the bottom line is that there are no guarantees. There is only the fleeting right now, and no amount of validation can get you off that hook.

It’s a big, ugly, exhausting tangle, but I can’t be a productive writer or a fully present person if I don’t stop chasing false guarantees – guarantees that, for me, define okay as the external validation of my value.

I will always need to feel valued, especially by people I care about and respect. That need is carved into me like grooves on a record. But for all that, the fundamental validation I actually need, the one I’ve been chasing my whole life, is my own.

My need for validation isn’t about the story or the editor or the relationship. It’s about me. And because it’s about me, it places pressure on situations and relationships that shouldn’t have to bear it. That’s why self-possession and emotional sovereignty are so important to me. The weight of that need is, ultimately, my responsibility. It’s up to me to decide (logically, rather than reactively) how many fucks I want to give.

Sinful Sunday: Film Noir

“I was thinking about that dame upstairs, and the way she had looked at me, and I wanted to see her again, close, without that silly staircase between us.”

-Fred MacMurray in Double Indemnity.

black and white portrait of Malin James in film noir style for Sinful Sunday post Flim Noir by Malin James

 

To see more Sinful Sunday, click the pretty lips….

Sinful Sunday

How Do I Love Thee: On Comparing Relationships

Sepia historical photograph of a woman dressed as cupid next to a lion for Post How Do You Love Me by Malin James

Woman with Lion, courtesy of the Getty Museum

Every so often, my daughter asks me if I love her best.**

This is a tricky moment as a parent, because my impulse is to say, Yes! Of course, I love you best. It’s the answer she’s looking for and by far the simplest to give. But as much as my love for her is one of the most overwhelming things I’ve ever felt, to say that I love her best does something that I’m not quite comfortable with – it accidentally reinforces a way of thinking about love that can lead to insecurity later on.

I realize that I might be overthinking this. Is there really any harm in telling her that I love her best?  There are so many things I don’t bother worrying about, like Santa’s existence or whether or not she believes in god. But reinforcing emotional comparisons feels oddly dangerous to me. It implies that love is a zero-sum game.

Love, like so many things, is contextually unique. For example, a person’s love for their child can be catastrophically powerful, but what if you have two or more children? Who do you love best then? That question is almost impossible to answer (without screwing up one of more of your kids), which is why “I love you all differently” is such a great response. It reinforces the love while avoiding the comparison.

Why is avoiding comparison important for all relationships (not just those involving multiple kids)? Because when you start to comparing the different loves you feel, you risk diminishing all of them. Love isn’t measurable or quantifiable, but comparing relationships with the intention of weighing who is loved best imposes finite limits on an emotion that is naturally infinite.

The real question is what underlies the comparison. Not to get all cold and pragmatic about it, but what it really comes down to is resource distribution. We’re a fundamentally competitive species because our survival depends on it. We commodify resources because resources, whether emotional or physical, have a value rooted in survival. That’s about as fundamental as it gets.

So where does love fit into that? Love is a resource too, or rather, the safety love signifies is. As a species, we evolved through dark nights full of predators that wanted to eat us. Abandonment = death. We are literally hardwired to fear being cast aside, and one of the best guarantors of that not happening is love.

When my daughter asks me if I love her best, she’s expressing a really basic concern: If a lion grabbed Daddy and me, would you save me, even if it meant not saving Daddy? (For what it’s worth, the answer is yes. Her dad’s okay with that). The anxiety that underlies the question is instinctively human – so much so that it shows up in all kinds of relationships, not just those between a parent and child, but friendships, business partnerships and romantic relationships.

While love is definitely not a zero-sum game, survival is, and at a very basic level, we have tied security to love and pain to exclusion. That’s why, in poly relationships, it’s important to be patient with a partner’s fears and insecurities. That sort of status anxiety is hardwired into us and, for most people, it takes a bit of effort to work through.

The impulse to compare is an instinctive attempt to see if our position in the relationship is safe. Unfortunately, it’s also a great way to torture yourself into fearing that it’s not. In the end, it’s about security. The surest way to avoid the trap of comparison is to address the underlying concern. If a person is secure in your love for them, they are less likely to be worried about your love for others.

In the end, it’s not about who is loved best, but how you are loved. Are you  loved well? Is your person’s love a revelation? A homecoming? A whetstone? Is it a soft blanket on a rainy night or a delicate porcelain vase? The how says so much more than any comparison could. The how is about the two of you. The how is solid ground.

**NB: Chunks of Browning’s Sonnet 43 are the answer I give my daughter when she asks me how I love her…that and “I love you bigger than the galaxy and 9 million stars”, which is really pretty big. 

 

Sinful Sunday: My Hands

My hands aren’t beautiful. They’re smaller, female versions of my dad’s massive paws – strong and wide, not elegant and long. But that’s why I love them. They’re good and reliable. They’re sensitive and brave. They express things I don’t have words for. I love the way they touch. They aren’t pretty but I trust them and that means a lot.

And following on the theme of Favorites, this photo was taken while I was thinking about one of my favorite things…. I’ll leave it to you to imagine what that is. (For I am a kind and gentle, heartless tease).

Picture of Malin James's hand for Hand post Sinful Sunday

To see more Sinful Sunday Favorites, click the pretty lips.

Sinful Sunday

Sinful Sunday: Red

There is a shade of red for every woman.

— Audrey Hepburn

Malin James in red lingerie for Red by Malin James

Thank you, Tallulah Lingerie, for having a ridiculously gorgeous selection of ridiculously pretty things, including this ridiculously lovely scrap of red lace.

To see more Sinful Sunday, click the pretty lips….

Sinful Sunday
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